Inasmuch as I long for a revival of each of G.O’s musicals with him back to reprise his roles, it is Gwanghwamun Sonata that I especially would like to see. Yes, you are right to believe I say that because it was the only one I did not see. Can you blame me for wanting to turn back time or, in the alternative, see him back in the tempestuous role of political activist Kang Hyun Woo? I was duly heartbroken when I recently discovered that the musical is actually being revived for a short run beginning in December. Waaah! I suppose what little is out there in way of fan cam and pictures of G.O’s performance is all we will get . . . for now. Today then, I would like to return to the Gwanghwamun Sonata stage to revisit the vivacious and energetic closing curtain call number for this Fan-Camming Friday.
I feel like a Windows To Your Soul ~ The G.O Eye Connect moment today and found a nice example in fan-cam form. I thought about waiting until Friday to make it a double categoried day but then figured why wait? I am relaxing my rules these final days of G.O’s service. I should even try to challenge myself to come up with fan-cam moments for each day remaining. I am confident there are enough cams out there to satisfy that challenge and I am sure it would be cool with everyone, right? Hehehe….cams will steadily make appearances regardless of the day and if I chose that route, I would not get my One Shot moments in or finish the alphabet in The ABC’s of G.O sub-series. And you know I must keep those selca moments in rotation. Therefore, I will stay my current course. For today then I give an Eye Connect moment from the taping of the MBC Korean variety program, 매직쇼크 [Magic Shock].
I cannot control myself when it comes to reminiscing and reflecting on Seopyeonje. The moments and memories of G.O’s Korean musical stage debut have imprinted and left their mark on me. I have recently been revisiting many of the Dong Ho specific songs from the musical and started rewatching videos from the 3 March 2014 showcase, particularly G.O’s performance of 흔적 [Traces]. Even though I understood the premise and storyline of Seopyeonje, I never really explored the lyrical content of the songs. When I attended my first Seopyeonje performance, I did not need to understand the lyrics because I felt the meaning being conveyed. In looking a little closer at 흔적 now however, I have discovered a deeper poignancy in the song; and, there is no better master at delivering poignancy in a song than G.O. Today, I share another Vocal Virtuosity moment from Seopyeonje.
Over the years, G.O has had many masternim fans who have diligently captured his beauty and talent from debut to the present. I am not exactly sure when Blackbird joined the others in making G.O the focus of her artful captures, but I am very pleased she chose him because through her lens G.O is nothing short of a work of art. I came across an early capture that I have never seen before and share it as my G.O One Shot for this 581st day of his service.
I have been looking forward to sharing the fan art work of Japanese artist @cantnoir827 ever since I started this little sub-category on the Countdown. I know most, if not all A+ worldwide, have enjoyed her whimsical and playful renditions of MBLAQ over the years. Today I choose her take on G.O’s three musical theater roles: Kang Hyun Woo from Gwanghwamun Sonata, Dong Ho from Seopyeonje and Prince Ho Dong from Kingdom of the Winds.
When I sat down to write on this 567th day of G.O’s service, the first thing that came to mind was that I simply wanted to hear his voice. Paging through the catalog of songs I had no idea which one to choose as all are special and perfect in and of themselves. Then I remembered back before his first performance in Seopyeonje, G.O had visited the KBS CoolFM studios with co-star Cha Ji Yeon wherein he sang a few bars of 청춘이 묻는다 [Youth Asks], without music. Just his voice. Impromptu in the studio.
This first Vocal Virtuosity moment for the month of August will be an extension of the last one in July. Yes, I am returning to the Seopyeonje stage and not for one of the soothing ballads. I ended July with the roar of Alive and burst into August with the haunting 청춘이 묻는다 [Youth Asks].